Sixteen year old Gemma is kidnapped from Bangkok Airport and taken to the Australian Outback. This wild and desolate landscape becomes almost a character in the book, so vividly is it described. Ty, her captor, is no stereotype. He is young, fit and completely gorgeous. This new life in the wilderness has been years in the planning. He loves only her, wants only her. Under the hot glare of the Australian sun, cut off from the world outside, can the force of his love make Gemma love him back? The story takes the form of a letter, written by Gemma to Ty, reflecting on those strange and disturbing months in the outback. Months when the lines between love and obsession, and love and dependency, blur until they don’t exist – almost.
Discovery: One of my best friends, Allie, recommended this book. She insisted that I read it because it was too powerful for her to talk about coherently. When someone comes to me with that kind of a reaction to a novel, I go after it immediately.
+ Uncertainty. Most novels give their readers a buoy to hang on to while the story unfolds. It can be a character, a place, an even or even just a single belief, but it keeps the reader tied to a semblance of truth. Stolen breaks this mold almost immediately. As a letter to a kidnapper, it’s emotional and affectionate, two things that will surprise and even disgust readers. I was never quite sure that Ty fit the evil mold society casts on criminals, nor could I be certain that Gemma wasn’t falling in love with him. In this story, only Gemma and Ty hold all the cards. Christopher is a masterful narrator, dancing between the shades of gray that make up this novel.
+ Breathtaking descriptions. I have a lot of friends in Australia, but most of them live in the urban areas so I’ve never really heard about the beauty of the outback. Christopher does an excellent job of making the scenery come alive around Gemma & Ty. The desert, much like Ty, is a difficult point of interest at first, but gradually, Gemma and the reader begin to see the complex beauty at its heart. Whether or not the reader thinks Ty is bad news, it’s not at all challenging to fall in love with the Australian desert.
+ Ty. Now before anyone gets on me with the whole “you-just-like-him-because-he’s-mysterious~~” tack, wait a minute. I’m including Ty as a positive because when I finished the book, I couldn’t remember what he looked like. I couldn’t even remember if I was even told the colour of his hair. The characterization was so flawlessly executed that it didn’t matter. Ty is a living, breathing character, with all the flaws and complexities of any human being, which makes the central conflict of the novel so fascinating.
– The fact that I can’t think of anything I didn’t like about this novel.
– The ending. Because it ended.
Recommendations: This is not a trigger-free book–in fact, I would go so far as to say that it should be handled very carefully. Stolen requires a certain level of maturity and critical thinking to be appreciated. The older end of the YA spectrum audience can only be made richer by this novel.
Next review: The DUFF, Kody Keplinger